14 May

Ultra-Rare 1964 Pontiac Banshee Concept Headed to Dragone Spring Auction May 30

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Westport, CT – Intended as a shot across Ford’s bow, Pontiac’s Banshee XP-833 coupe was an answer to Ford’s Cougar II show car, and Pontiac brass felt confident they could bring the Banshee to market before Ford launched its own two-seater. History tells us that neither car saw production, but a glimpse at the Banshee gives us a look at design cues that would later appear on the third-generation Corvette and the first-generation Firebird. One of two first-generation Banshees built (the other a white convertible that’s long been a part of Joe Bortz’s collection), the silver coupe will head to auction later this month as part of the Dragone Spring Auction in Westport, Connecticut.

The initial success of Ford’s Mustang left GM scrambling to offer a counterpoint, and it would take until 1967 before the Chevrolet Camaro and Pontiac Firebird hit dealerships. Determined not to make the same mistake twice, Pontiac head John DeLorean asked his designers to come up with a lightweight two-seat sports car, one that could be brought to market for the 1967 model year, potentially ahead of the Ford Cougar II that was rumored to be bound for production. Two first-generation Banshees were put together, using an A-body chassis and fiberglass-reinforced plastic body panels. The convertible was built with a V-8, but GM management reportedly felt that such a car would be too close in positioning to the Corvette.

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The coupe was powered by an overhead camshaft inline six-cylinder, fitted with a crossflow head and reportedly good for 155 horsepower. Given the Banshee’s curb weight below 2,300 pounds, even such a modest engine would have produced spirited performance, while delivering exceptional handling. The Banshee, at least in the eyes of Pontiac executives, would complement the Corvette, offering buyers of more modest means another GM two-seat sports car to choose from.

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As Bob Hovorka wrote in the February 1989 issue of Special Interest Autos, production of the Banshee was never seriously considered by GM management. Perhaps any challenge to the Corvette as GM’s sole two-seat sports car was seen as too much, or perhaps the Ford Cougar II was never seen as a serious candidate for production, but in 1966 the first Banshee project was scrapped. The cars should have been as well, but rumor has it they escaped the crusher by being secreted away and later sold to employees close to the project. Both coupe and convertible are semi-functional drivers, minus key details like functional headlamps.

The coupe remained with its original owner until 2006, when it sold at a Barrett-Jackson auction for $214,500. Since then, it’s been offered for sale numerous times, including a trip across the stage at RM’s 2010 Amelia Island sale, where it bid to $325,000 but failed to meet reserve, and at Mecum’s 2010 Monterey sale, where it bid to $400,000 without changing hands. It’s twice been featured as a Find of the Day in the Hemmings Daily, but neither running included a price in the listing.

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Officially, the third-generation Corvette was inspired by the 1965 Mako Shark II concept, but one has to wonder how much the concept was itself inspired by the Banshee. Even if the answer is “not at all,” it’s impossible not to see the Banshee’s influence on the first generation Firebird’s rear and on the production Opel GT, which seems to duplicate the Banshee’s pop-up headlamps, sloping nose, fastback roof and Kamm tail in slightly smaller scale. Perhaps John DeLorean and his designers were onto something after all.

Dragone Auctions is predicting a selling price between $600,000 and $650,000 when the 1964 Pontiac Banshee XP-833 crosses the stage on Saturday, May 30 as part of its 2015 Greenwich Concours Car Event Weekend auction. For complete details, visit DragoneClassic.com.

Courtesy Kurt Ernst, Hemmings Daily
Photos Dragone Auctions

05 May

Flashback: The Melton Auto Museum opened in Norwalk, Connecticut on July 24, 1948

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By Margo Melton Nutt
Reprinted from February 11, 2011

Norwich, VT – Although I have talked some in previous posts about the James Melton Autorama in Florida, I haven’t said much about its precursor, the Melton Museum in Norwalk Connecticut (1948-53). So here goes:

Back in the summer of 1941, the State of Connecticut had appropriated funds to build a museum for my father’s cars. But the onset of World War II put the project on hold. After the war the agreement still did not come to fruition. As he put it in a letter to fellow Veteran Motor Car Club members in 1947:

“As you may have seen by the papers, I have withdrawn my offer of a museum collection to the State of Connecticut. The first appropriation was made in 1941, the enlarged appropriation in 1945, and the thing is still only on paper…The combination of dilly-dallying techniques, small brother groups crying over locations, appointment of an antique auto curator—repeat curator!—and the shifting sands of politics—of which I want no part—finally made me decide that it would be in the best interests of my collection and the antique automobile movement as a whole, to cut out of all that complicated and unpleasant situation…I shall create a museum of which we can all be proud—and where we won’t wake up some morning to find some Politico’s Aunt Tillie’s 1928 Model A Ford where a Mercer Raceabout ought to be.”

Rather than donating his collection to the State in return for the building, he continued to own the cars—and to add to their number until he had close to a hundred. He formed a corporation, The Melton Museum, Inc., and acquired a 10,000 square foot building on an eight-acre site on Route 7 in Norwalk, Connecticut, half a mile from the Merritt Parkway (where Wal-Mart is today). To that he added another 10,000 square foot building, incorporating an existing well-known restaurant, called the Stirrup Cup. On top of the building with the sign saying The Melton Museum, he put brightly painted cutouts of some of the cars represented in the collection; out front he placed a 1902 trolley car. He sincerely believed that everyone was as interested in the history of the automobile as he was. He felt that preserving the cars was only half the story, they should be shown to the public as examples of man’s ingenuity and as the beautiful antiques they were.

On July 24, 1948, the 20,000 square foot Melton Museum of Antique Automobiles opened in Norwalk, with fifty-five cars, antique bicycles, auto accessories, toy trains and music boxes. Opening day began with a parade of antique autos, driven by his confreres from the Veteran Motor Car Club, and was attended by celebrities such as Clare Booth Luce, Lawrence Tibbett and Connecticut Governor Grover Whelan. Twelve hundred paying customers came the first day, sixteen hundred the second. Little did many of the visitors know what a huge, last-minute effort had gone into readying the exhibition for opening day? Firestone, for instance, had agreed to equip all the cars with their new “non-skid” tires—the words formed the tread design. The tires had been flown in by air freight from Akron, Ohio the day before the museum opened, and Firestone men had worked until 2 A.M. to mount them all. For months my mother had been a willing helper in preparing the museum, haunting local antiques stores in search of the right accouterments to accompany the displays, and raiding friends’ and relatives’ attics for old-fashioned costumes for the mannequins to wear. She also oversaw many museum-related details on the home front while her husband was on tour with the Metropolitan Opera that spring.

Their old friend, former Ziegfeld designer, John Harkrider, designed the exhibits. The entrance hall was decorated with large photos of my father’s various old car exploits with other celebrities: the 1937 Easter Parade of antique autos down Fifth Avenue with fellow singers Lanny Ross and Jessica Dragonette as passengers; Edgar Bergen and Charlie McCarthy riding in one of the cars my father took to Hollywood in 1944; and a meeting with Henry Ford Sr. in Dearborn, Michigan. The cashier’s office was in a 1912 Renault Hansom Cab, the car’s radiator having been converted to a counter for selling tickets. (Admission to the museum was 60 cents.) One exhibit room had a parade of vehicles filled with cap-and-duster clad mannequins intended to look as if they were driving down a country road. Another room had eight racing cars displayed in an octagonal pattern; one of the cars was a 1911 Mercedes which was accompanied by a huge photographic blowup of Ralph DePalma driving that very car in the 1911 Vanderbilt Cup Race. In yet another room, the sign in front of the 1910 White Touring Car explained the origins of the collection, “The ambition of a small boy to own a car like this is what started the whole thing.”

He hired a retired Norwalk policeman—Officer Phillip O’Grady—as the security guard. Dressed like a turn of the century Keystone Kop, O’Grady was straight out of central casting, and played his part to the hilt. Among the summer help my father hired was Joe Ryan, still only in high school, to polish brass and run errands. Over fifty years later, among the highlights Ryan recalled was a trip to Canada to pick up a 1924 Rolls Royce that Lady Eaton had donated to the museum. “Between being held up at the border for two days because Customs didn’t accept the paperwork I carried, (they had to verify it with both Lady Eaton and your father), and the fact the headlights were so dim I could only drive in daylight, it took me five days to get the car back to Norwalk.” His job at the Melton Museum started Ryan’s lifelong love of automobiles that evolved into his career as sales manager of a Mercedes Benz agency.

The oldest car in the Melton Museum was 1893 custom steam stage coach, which looked rather like a horse-drawn carriage with engines added front and rear. The most modern car in the museum was a 1934 custom-built Detroit Electric. Other unusual pieces in the collection were aforementioned 1911 Mercedes of Vanderbilt Cup Race fame, a 1900 Rockwell Hansom Cab—the first New York City taxi— and a 12-passenger Stanley Steamer Mountain Wagon circa 1915, formerly used in Yellowstone National Park for sightseeing tours.

Margo Melton Nutt’s memoirs of her father “James Melton: The Tenor of His Times” is available at Amazon.com

James Melton (left) at the Hershey Meet in 1958 beside a 1910 Thomas Flyer

James Melton (left) at the Hershey Meet in 1958 beside a 1910 Thomas Flyer

James Melton driving his 1907 Rolls Royce Silver Ghost (Chassis No. 60565)

James Melton driving his 1907 Rolls Royce Silver Ghost (Chassis No. 60565)

 

30 Apr

The SAAB Racing Spirit Lives On: Special Exhibit at Simeone Museum May 9-24

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Philadelphia, PA – Once again, The Simeone Automotive Museum will be having a display of SAAB cars opening on May 9th, to run for two weeks. The previous 2013 show, “The SAAB Spirit Lives On” had record-breaking attendance and the museum is hoping to surpass that with another great show dedicated to the distinguished racing history of the iconic Swedish marque.

This year’s exhibit, “The SAAB Racing Spirit Lives On” will have a comprehensive display of SAAB’s with racing provenance. Along with the collection owned by Bill Jacobson of Sports Car Service, the exhibition will include two Quantum racers from the Vapaa Vintage Racing group, the 1999 9-3 winner of 2015 14-hours of Road Atlanta, and many other examples of the breed.

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The show will kick off with a Launch Party at the Museum on Saturday, May 9th, from 6:00 – 9:00 pm. Guest speakers at the reception will be Jack Lawrence of Motor Sport Service and Jack Baxter of S&J Automotive. Both will have their SAAB’s displayed at the show and will share with attendees their stories of SAAB racing experiences. The SAAB Racing exhibit will run until May 24th.

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The Simeone Automotive Museum – Located near Philadelphia International Airport, at 6825 Norwich Drive, the Simeone Automotive Museum is open six days a week. Admission is $12 for adults, $10 for seniors, and $8 for students and free for children ages eight and under. Group rates are available, and complete details are can be found at the museum’s website.

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Photos Courtesy Simeone Automotive Foundation

Photos Courtesy Simeone Automotive Foundation

 

21 Apr

Fiberglass for First Plastic Sports Car Developed in Connecticut 65 Years Ago

Images courtesy Geoff Hacker

Images courtesy Geoff Hacker

Naugatuck, CT – Bill Tritt and his company Glasspar were growing in the fiberglass boat business by leaps and bounds, and while the bulk of their business was always boats and ships, in late 1949 he had started working with Ken Brooks to produce a fiberglass sports car body. By early 1950, Bill was looking to expand and take on new business, and in that year Tritt brought on investors that would allow his company to grow.

Things were looking good for Glasspar, and Tritt wanted to add sports car bodies to Glasspar’s product list, but there was a problem. Lots of companies needed supplies, but none more so than the U.S. government. The summer of 1950, when Glasspar began its expansion plans, was also the same time that the Korean War started (Korean forces invaded South Korea on June 25, 1950), and this war continued through the summer of 1953.

Resources were in scant supply, and everyone wanted what was available. It was in that setting that Tritt pressed forward to find more supplies – polyester resin and fiberglass mat – in Southern California. At every corner he turned, supplies were being dedicated to the war effort. Glasspar’s dreams of expanding were suddenly in a precarious position.

In 2000, Daniel Spurr interviewed Bill Tritt about this very moment in time for his book Heart of Glass, a terrific story on the birth of the fiberglass industry in postwar America and how it revolutionized the boat industry. Here’s what Tritt had to say:

“At this critical point in Glasspar’s growth, the story becomes one of great serendipity and plain luck. The Korean War dealt us a near mortal blow. We suddenly were unable to obtain polyester resin because it was all going to aircraft and other military products. Our purchasing history was laughable, as was I in my fruitless search for suppliers.”

“Then, strictly by chance, I saw a notice of the opening of a new chemical company in a warehouse in South Los Angeles. I had never heard of the company, Naugatuck Chemical, although it turned out to be a division of U.S. Rubber. I didn’t know what the warehouse was to house, but with nothing building in the shop, on a nice day, I borrowed the Boxer from Ken Brooks and drove to the warehouse.”

“It was large and appeared empty, but I went inside and found a little office. In the office was a personable young man named Bud Crawford, who informed me that the warehouse primarily handled shipments of polyester resin from Connecticut, headed then to the big boys.”

“He was most sympathetic to our problems, but he had no way to divert any of the resin without an order from the War Department. We concluded there was no way I could get even a drum of our lifeblood’s chemical equivalent from Naugatuck. We walked out to the loading dock to bid farewell and, when Crawford saw the Boxer, he asked, “Hey, what’s that?”

“Less than twenty-four hours later, Earl Ebers, head of Naugatuck, a chemist and devoted proponent of Fiberglass Reinforced Plastic, arrived in California, came to the (Glasspar) plant, and committed Naugatuck Chemical to sending us an immediate (air freight) supply of resin (trade name Vibrin).”

This historic moment was captured by more than one person. Back in 1951, Bert McNomee was in the operations area of the public relations department for Naugatuck Chemical. From 1968 to 1976, Bert was the director of public relations for U.S. Rubber, but during 1951, he was at ground zero of what was about to happen with Glasspar and fiberglass sports cars.

Bert reviewed his memory of these early years back in Shark Quarterly, a magazine about Corvette history, in the summer of 1997. Here’s what Bert had to share:

“In 1950, Bill Tritt had designed and Glasspar built a custom body to update a friend’s wife’s jeep chassis (note: see previous story on Glasspar for correct reference to a 1940s Willys). This work caught the attention of our West Coast man, Bud Crawford, and he told Mr. Ebers about it. When he heard about Tritt’s work he decided we would go out there.”

“We arrived on a Saturday and, I remember, checked into a little known place called the Mayfair Hotel. Then on Monday, Bill Tritt took us out to Costa Mesa to see this car. I thought, “Holy Mackerel look at this car!” It looked like an early Jaguar. They asked me if I wanted to take a ride in it. I surely did. So off we went. It was amazing; it cornered well, and with the light body it was peppy.”

“Mr. Ebers asked me, “So Bert, what do you think?” I said that I thought we had a chance to get it into LIFE Magazine, like he wanted. But first we need some good pictures of the car. Now a lot of things happened pretty much at the same time. My job was to get busy on the press coverage.”

“For my part, I hired Tom King of the Blackstar Association, locally, to take some pictures. These were just the preliminary photos so I could get some interest going at LIFE Magazine. When we got back to New York, I called Bill Payne of the “new products” section at LIFE and showed him these preliminary photos.”

“Bill was also a car buff so he was quite interested in the idea of a fiberglass car for his section. We met for lunch with Earl Ebers and talked about how the car body could be presented to make a really interesting story.”

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“We had to make it clear, pictorially; that this was a car body that was different from any other car body you had ever seen. I told him that before the car was painted, the body was actually translucent. That did it. It lit up all kinds of ideas in Bill’s mind. He started talking about how we could lower the body over the car and light it from underneath. The ideas came together and he sold the story to his editors.”

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At this time, Earl Ebers went up to Naugatuck to meet with George Vila, who was the General Sales Manager, and John Coe, who was the Vice President. They both agreed that Naugatuck Chemical would subsidize the construction of four prototype cars, which was the amount Tritt wanted to justify setting up the bucks and molds.

They also agreed to send Earle out to Costa Mesa to work on the first four models and to oversee the operation. And so Glasspar and Naugatuck were joined at the hip in terms or making fiberglass sports cars a reality, and no small job was laid out in front of them to make this dream a reality. In fact, in just a few short months Bill Tritt would have to:

  • update the plaster buck so a new mold could be produced (changes in the grill design occurred at this step)
  • create a new mold that could stand the rigors of production
  • debut the Brooks Boxer at the Petersen Motorama in November 1951
  • and finish at least one full sports car that Naugatuck had paid for, preferably by the end of 1951

Bill Tritt commented in Heart of Glass about the meeting in late summer as follows:

“We had unbelievable credit and an order for a car to show at Philadelphia Plastics Exhibit in (March) 1952. Life magazine was set to do a feature story; one hundred eighty degrees from a few days before.”

In the fall of 1951, the team from Naugatuck Chemical returned with Life Magazine photographer J. R. Eyerman. During this time, they photographed the Brooks Boxer in action shots for the magazine, captured Bill Tritt working on the plaster buck for the G2 sports car, showed the steps in making a fiberglass body, and more.

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In fact, in photographing the sports car body being built, they would be capturing the very first body being built from the production molds. This would become the second Glasspar sports car built – the Alembic I.

In preparation for today’s story, I called Bert McNomee (he’s doing great and has been a constant source of support and information for the history of these times), and asked him about how the name Alembic I came to be for the second sports car built by Glasspar.

Bert reminded me that Naugatuck Chemical was a chemical company first, and in chemistry, Alembic has its origin in equipment involved in the distillation process. According to Merriam-Webster, the definition of Alembic is either an apparatus used in distillation or something that refines or transmutes as if by distillation.

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And so, with great excitement, enthusiasm, and the backing of a large company, the second Glasspar sports car was born, the Alembic I. Bill Tritt, Glasspar, and Naugatuck Chemical pressed forth, and to the delight of all, Life Magazine published the article in February 1952 and the world of fiberglass sports cars was never the same.

Article Courtesy Hemming’s Daily
Geoff Hacker is a Tampa, Florida-based automotive historian who specializes in tracking down bizarre, off-beat, and undocumented automobiles. His favorites are Fifties American fiberglass-bodied cars, and he shares his research into those cars at ForgottenFiberglass.com.

Glasspar Cars are featured on Ray Evernham’s Americarna episode “Forgotten Fiberglass” on VelocityTV; Check your local listings for date and time.

 

 

15 Apr

Lime Rock spending millions as it builds a better fan experience

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LAKEVILLE, Conn. – Late last year, Lime Rock Park Track President Skip Barber committed more than $3 million to a wide variety of projects to rebuild, refine and renew Lime Rock’s infrastructure. The goal of the so-called Road to 60 Project is to dramatically enhance the spectator experience from 2015 onward.

“From the paddocks and the bathrooms to the hillside viewing areas, we’re changing Lime Rock’s infrastructure from pre-historic to be perhaps the most fan friendly road course in North America,” Barber said.

Not since Lime Rock Park’s race track surface itself was re-built in 2008 has a construction project of this magnitude been greenlighted at the famous 1.5-mile automotive and motorsports venue in Connecticut’s Northwest Corner. Some of those projects will be complete in time for Lime Rock’s season-opener – the Memorial Day Weekend Trans Am Series, and Royals Sunday Car Show, May 22-24 – and many more in time for the IMSA TUDOR United SportsCar weekend July 24-25.

“In 2008, the track itself had to get done – it was exceedingly bumpy, it needed more guardrail, better run-off areas – and that’s what we did for the competitors. Road to 60 is for the fans,” Barber said. The target for completion of all Road to 60 projects is 2017, when Lime Rock Park celebrates its 60th anniversary.

“We’re doing what we need to do – what we want to do – to ensure the track’s professional racing future,” Barber says. “Major sports car races have defined Lime Rock since the day it opened, and I’m making sure that continues well into the future.

“It’s important to note that everything we’re doing, all the changes, all the improvements… all will make Lime Rock more useful, easier to navigate, more sensible – but all with an eye to making Lime Rock even more beautiful than it already is. I have no doubt that, just in the case of our paddocks, Lime Rock’s will be the most attractive in the U.S.”

Of the multitude of Road to 60 projects underway, the highlights are…

A-Paddock
To be completely re-done and much larger, plus: laser-graded-and-paved to eliminate standing water; it will be landscaped; there’ll be defined spectator walkways and cobblestone curbing; and the roadways through the paddock will be much wider. The new A-Paddock is specifically designed to allow two complete race rigs, tractors included, to park in-line – with a walkway in between – from inside Big Bend up to Victory Circle. Additionally, it will provide large and extremely efficient driving exercise and hospitality acreage for automakers as well as other ride-and-drive, press day and driver-training clients.

A-Paddock one week after construction began

A-Paddock one week after construction began

April 2015: A-Paddock will have an attractive retention pond behind the newly placed Big Bend inside guardrail

April 2015: A-Paddock will have an attractive retention pond behind the newly placed Big Bend inside guardrail

B-Paddock
Being completely re-done: Paved in its entirety (and also laser-graded to eliminate standing water), there’ll be much more usable space. Like A-Paddock, it will provide large and extremely efficient driving exercise and hospitality acreage.

April 2015, B-Paddock: You can see all the white base gravel, in preparation for paving

April 2015, B-Paddock: You can see all the white base gravel, in preparation for paving

Infield Spectator Hillside
Completely re-done: Close to 100,000 square yards of earth was moved, re-contoured, re-sloped and/or removed to dramatically improve and expand the sightlines as well as make Lime Rock’s famous “picnic-blanket-and-lawn-chair” experience even more enjoyable. With this re-working of the hill, close to 45 percent of the track can now be seen from this Hillside; with just a turn of the head.

Additionally, the Infield Spectator Hillside has been extended all the way through the inside curve of the Right-hander, creating an entirely new and exciting viewing area of No Name Straight and the Uphill. The Hillside reconfiguration has also allowed the spectator fencing to be moved even closer to the circuit in many locations.

April 2015: The re-contoured and lengthened Infield Hillside

April 2015: The re-contoured and lengthened Infield Hillside

Hospitality Acreage
There will now be a total of three large areas of Lime Rock property dedicated to corporate, race team and VIP hospitality. The popular Outfield hospitality acreage remains essentially the same but the existing hospitality area in the Infield (between the Chalets) has been significantly increased in size and laser-graded. The third is an exciting new hospitality area that overlooks the Right-hander and No Name Straight.

 

April 2015: The beginnings of the all-new Hospitality area overlooking the Right-hander. This is looking southwest, toward No Name Straight.

April 2015: The beginnings of the all-new Hospitality area overlooking the Right-hander. This is looking southwest, toward No Name Straight.

A-Paddock Rest Rooms
The Men’s Room will be completely rebuilt, and the Ladies Room totally refreshed.

Handicap Access
It will be improved and/or added throughout much of the facility.

Also: There’ll be a new PA system; expanded and robust Wi-Fi; improved cellular service; and improvements and expansions to the other spectator areas

Skip Barber added, “Road to 60 accomplishes many things for Lime Rock’s future, both short term and long. For each project, I asked myself, ‘What’s the best way to do this to make the Lime Rock experience better for the fan?’ While not forgetting the competitors, sanctioning bodies, the car makers, hospitality clients, the Lime Rock Drivers Club and all the driving and racing organizations, I’m pretty sure we’ve made good decisions.”

About Lime Rock Park
Lime Rock Park, listed on the National Register of Historic Places, has been “New England’s Road Racing Home” since its opening in 1957. It is a 7-turn, 1.5-mile road racing circuit in Connecticut’s celebrated Northwest Corner – approximately halfway between New York City and Boston – and holds FIA-listed national and international road racing events, driving schools, track days, corporate events, and non-automotive public and private functions. The president and owner of Lime Rock Park is Skip Barber. Learn more at www.limerock.com

 

 

28 Mar

Darien Collectors’ Car Show moving to Lockwood-Mathews Mansion Park Father’s Day June 21st

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Norwalk, CT – On Sunday, June 21, 2015, the New England Auto Museum in partnership with the Darien Collectors’ Car Show will present a Father’s Day Car Show at the Lockwood-Mathews Mansion Park in Norwalk, CT. The event will be held from 10AM-3PM and will offer hundreds of unique cars to view. Admission to the event is free to spectators; a donation will be encouraged and proceeds will go towards the New England Auto Museum’s building and education funds. The New England Auto Museum is a nonprofit 501(c)(3) organization.

Come out and enjoy an afternoon of classic cars in all shapes and sizes, talk with the owners, be a judge and select your favorite car, grab a bite to eat and even visit the Stepping Stones Children’s Museum and the historic Lockwood-Mathews Mansion, right next door. It’s a great afternoon for Dad and the whole family!

Anyone interested in showing a car may pre-register online at the New England Auto Museum website; it’s only $10/per car. Prizes will include awards for The Peoples’ Choice, The Mayor’s Choice, The Museum President’s Choice and a Charles England Trophy for the Most Interesting Car. Dash plaques will be available for the first 100 cars to register.

New England Auto Museum

The New England Auto Museum will be an exciting new attraction for the state of Connecticut and throughout New England. This non-profit organization will become a first class facility dedicated to preserving, interpreting and exhibiting historic automobiles and automobile artifacts. It will serve as both an educational learning center as well as a display center to highlight an ever changing evolution of car history and its impact on society.

 

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17 Mar

Classic Cars and Memorabilia Museum opens in Oyster Bay, NY

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Oyster Bay, NY – “It’s a combination of a gas station, Disneyland and a man cave,” owner and Oyster Bay resident David Jacobson says. “Long Island has a tremendous car culture. I thought Oyster Bay was a natural fit.” Enter the showcase and you are faced with a collection of 17 cars displayed behind velvet ropes, and more than 1,000 automotive signs hanging all over.

“I like old stuff,” says Jacobson, 51. “We wanted everything to be as authentic as possible. It represents a different time.” Cars range from a 1974 Ferrari 365 GT4 — the first 12-cylinder mid-engine Ferrari ever made — to a 1965 Volkswagen bus to a 1953 Chevrolet 5 window pickup truck. There’s even a 1958 BMW Isetta, which Jacobson found in Oregon.

“The Isetta is loud and obnoxious,” Jacobson says. “It feels like a motorcycle with a shell around it.” There’s a 1932 black Ford Roadster, completely restored. “This is one of the most fun cars you will ever ride in,” Jacobson says, grinning. The cars — most are owned by Jacobson, but a few are on loan from fellow collectors — will be rotated every four to six weeks to keep the display fresh. As the owner of GrooveCar auto buying service, he knows something about the allure of a good ride.

“Cars identify people. They can tell a lot about the personality of someone,” Jacobson says. “I’m a Porsche guy.” Among his personal collection: a 1960 signal red Porsche 356, a 1973 Porsche Carrera RS (which he deems “the Mona Lisa of Porsches”) plus a very rare 1995 Porsche Carrera RS, one of only five in the country. (Comedian Jerry Seinfeld has one as well.)

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While some may come purely to check out the wheels, there’s a service area where you can get your vehicle hand washed for $29.99 or a full detailing from $250 to $1,000. Annual club membership ($150-$500) allows access to a lounge area and the first floor, where more cars are on display and a working slot car racetrack is available for members only. The museum also is hosting catered events for up to 100 people, from adult birthday parties to corporate events to fundraisers.

Mark Tulley, 65, of Carle Place serves as the regional director of the National Corvette Restorers Society, which will hold its annual general membership meeting in the space next month. For the event, Jacobson will have a host of Corvettes on display, ranging from 1953 to 1982. “There’s nothing like this on Long Island,” says Tulley. “It’s like an adult toy store.”

Dominick Randazzo, 45, of Bayville has been watching construction take place over the past two years and stops in for a peek on a recent Saturday afternoon. “I didn’t know what to expect, but it’s quite nice,” says Randazzo, who drove a 1969 Dodge Coronet RT while growing up. “It’s a lot to take in.”

Jason Roske, 35, of North Bellmore is amazed by the atmosphere of the showroom. “The work they put into this place is crazy,” says Roske, a self-described muscle car guy. “This is what we grew up on. What little kid doesn’t play with Matchbox cars? Now these are the life-size versions.”

COLLECTOR CAR SHOWCASE

WHEN | WHERE 10 a.m.-4 p.m. Tuesdays, Wednesdays and Fridays, 10 a.m.-7 p.m. Thursdays and 10 a.m.-6 p.m. Saturdays, 85 Pine Hollow Rd., Oyster Bay
INFO 516-802-5297, collectorcarshowcase.com
ADMISSION $7 ($10 adult and child age 8-15)

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Source: New York Newsday

09 Mar

1st U.S. Auto Show Opened in New York City 115 Years Ago

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New York, NY – Of the 4,200 new automobiles sold in the United States at the turn of the century, gasoline powered less than 1,000. On November 3, 1900, America’s first national automobile show opened in New York City’s Madison Square Garden.

An innovative assortment of electric, steam, and “internal explosion” engines powered these horseless carriages. New manufactures like Olds Motor Works of Lansing, Michigan, built models of each kind to compete in the developing market.

The manufacturers presented 160 different vehicles at the first national automobile show. Future leaders of the nation’s greatest transportation industry gave driving and maneuverability demonstrations on a 20-foot-wide track that surrounded the exhibits. A wooden 200-foot ramp tested hill-climbing power.

Automobiles powered by internal combustion engines at the 1900 National Automobile Show were primitive. The most popular models proved to be electric, steam, and gasoline…in that order.

About 48,000 show visitors paid 50¢ each to see the latest automotive technology. Hundreds of “Hansom” cabs built by the Electric Vehicle Company worked well, but heavy lead-acid batteries, muddy roads, and lack of electrical infrastructure confined these early electrics to metropolitan areas. Thomas Edison spent years working on battery power for automobiles, but abandoned the effort.

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This ad for the Winton motor carriage – often identified as the first American automobile ad, according to the Henry Ford Museum – appeared in a 1898 issue of Scientific American magazine.

Consumers favored “steamers” over their gasoline-powered competitors. Steam-powered automobiles traced their roots back to 1768, when a French military engineer, Nicholas-Joseph Cugnot, built a self-propelled steam tricycle to move artillery.

By 1900, manufacturers like Bridgeport, Connecticut-based Locomobile (from the words locomotive and automobile), Stanley Motor Carriage Co., Tarrytown, N.Y., and others boasted of their products’ safety and touted the virtues of simple steam power over “complex and sinister” internal combustion engines.

Locomobile produced 750 steamers in 1900, second in sales only to Columbia & Electric Vehicle Co. of Hartford, Conn., but consumers complained of the time required to heat boilers and the necessarily frequent stops for water. Progress in the development of internal combustion engines soon outpaced steam technology.

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At the turn of the century, about 8,000 vehicles shared mostly unpaved roads with horses and wagons. Automobiles powered by internal combustion engines at the 1900 National Automobile Show were primitive, noisy and cantankerous. Most were based on Nikolas Otto’s 1876 four-stroke design and ran on a variety of “light spirits” such as stove gas, kerosene, naphtha, lamp oil, benzene, mineral spirits, alcohol, and gasoline.

One early critic complained that the internal combustion engine was, “Noxious, noisy, unreliable, and elephantine. It vibrates so violently as to loosen one’s dentures. The automobile industry will surely burgeon in America, but this motor will not be a factor.”

The critic was wrong. Gasoline, once an unwanted byproduct of kerosene refining, cost only about 15 cents a gallon in 1900 and produced dramatic increases in engine horsepower. Despite the absence of “filling stations,” gasoline was readily available in a market where electric lights were making kerosene obsolete.

The refining industry needed a product to replace kerosene and gasoline was it. In 1901, Olds Motor Works sold 425 models of a gasoline-powered “Curved Dash Runabout” for $650 each. Four years later, when the model was discontinued, almost 19,000 had been sold. America’s consumer preference for gasoline-powered internal combustion engines was thoroughly established.

Source: The American Oil & Gas Historical Society

02 Mar

SIR STIRLING MOSS’ SILVER ARROWS COME TO AMELIA ISLAND MARCH 13

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Jacksonville, FL – Sir Stirling Moss has been named the Honoree of the20th annual Amelia Island Concours d’Elegance. Sir Stirling was the honoree of the first Amelia Island Concours in 1996 and will again be the honoree in 2015 at the international concours season opener in northeast Florida. Moss is the only person to be honored twice by the Amelia Island Concours d’Elegance. The cars that defined Sir Stirling’s career in 1955, the Mercedes-Benz racing cars that brought him his greatest fame, will serve as the centerpiece of the 20th anniversary Amelia display field
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On May 22, 1955 Moss and navigator Denis Jenkinson won the punishing Mille Miglia to score Mercedes-Benz’s first victory of the World Sports Car Championship season. The epic 1000mile open road race around the Italian peninsula took Moss nearly ten non-stop hours. The speed record he set 60 years ago still stands. Less than a month later Mercedes’ withdrew from the 24 Hours of Le Mans after an accident involving one of the team’s 300SLRs and an Austin-Healey. Moss and his co-driver, reigning World Champion Juan Fangio, were leading by nearly three laps when the decision to withdraw came from Germany. The retirement cost Moss another career first as the only man to win the Mille Miglia and the 24 Hours of Le Mans in the same season.

In July 1955 Sir Stirling won his home Grand Prix at Aintree, England in the 300SLR’s stablemate, the Formula 1 Mercedes-Benz W196. It was the first of 16 World Championship F1 victories for Moss. In October, Moss clinched the World Sports Car Championship for Mercedes-Benz winning the Targa Florio racing the same 300SLR that had carried him to victory in the Mille Miglia and the Tourist Trophy in Dundrod, Ireland. Moss and his 300SLR were the common denominator in the 1955 World Sports Car Championship season winning half the races of the six-race World Championship for Mercedes-Benz.

“Sir Stirling set us on our path in 1996,” said Bill Warner, Founder and Chairman of the Amelia Island Concours d’Elegance. “To have Sir Stirling and his Mercedes-Benz racers from the 1955 double world championship season on the field is a fantasy come true for us. This is absolutely unprecedented. Mercedes-Benz Classic, the Indianapolis Motor Speedway Hall of Fame Museum and Sir Stirling have given us all a moment unequaled in motorsport history.” “Sir Stirling’s Mille Miglia, TT and Targa winning 300SSLR will join his W196 Monoposto and the Streamliner he raced and led with at Monza, his last Formula 1 race for Mercedes-Benz,” said Warner. “We’re honored to be able to present this extraordinary collection of Sir Stirling’s Mercedes-Benz World Champions.”

The 2015 Amelia Island Concours d’Elegance will be held March 13-15th on the 10th and 18th fairways of The Golf Club of Amelia Island at The Ritz-Carlton, Amelia Island. The show’s Foundation has donated over $2.5 million to Community Hospice of Northeast Florida, Inc. and other charities on Florida’s First Coast since its inception in 1996. In 2013 the Amelia Island Concours d’Elegance won Octane Magazine’s EFG International Historic Motoring Event of the Year award.

About the Amelia Island Concours d’Elegance
Now in its third decade, the Amelia Island Concours d’Elegance is among the top automotive events in the world. Always held the second full weekend in March, “The Amelia” draws over 300 rare vehicles from collections around the world to The Golf Club of Amelia Island, The Ritz-Carlton, Amelia Island for a celebration of the automobile like no other. The 20thannual Amelia Island Concours d’Elegance is scheduled for March 13-15, 2015. For more information, visit www.ameliaconcours.org or call 904-636-0027.

Photos courtesy Amelia Island Concours d’Elegance

Photos courtesy Amelia Island Concours d’Elegance

25 Feb

Calling all wagons: AACA Museum planning longroof celebration opening May 23

The museum exhibit will pay tribute to many rare station wagons, including the Edsel Villager. Photos by Jay Ramey

The museum exhibit will pay tribute to many rare station wagons, including the Edsel Villager. Photos by Jay Ramey

Hershey, PA – The Antique Automobile Club of America Museum will host an exhibition celebrating that once-essential American automotive workhorse, the station wagon. Before this body style was pushed out by minivans, SUVs and crossovers, millions of family truckers, some with faux-wood siding, filled our roads and driveways. Just two decades ago we probably would have never guessed that the Buick Roadmaster and its Oldsmobile twin that were sold through the middle of the 1990s would be the swan song for traditional full-size American station wagons.

The AACA Museum’s exhibition will take a look back at the age of the station wagon with a special exhibition titled “A Family Affair: Station Wagons” opening May 23, 2015, the weekend of the Carlisle Import and Kit Nationals in nearby Carlisle, PA.

The Museum has a wish list of cars it would like to exhibit, and wants to hear from owners of these examples who would be willing to lend their longroofs to the museum for five months.

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HemmingsBlog reports that so far the museum has just over a dozen confirmed examples ranging from a 1958 Edsel Villager to a Ford Pinto Rallye, but it needs help filling out the rest of the lineup. The museum seeks a variety of woody wagons and coachbuilt shooting brakes from Aston Martin, Bentley, Rolls-Royce, and a few others.

The full wish list, reproduced below, can also be found on the AACA Museum website, so if you have one of these or know someone who does, and would be willing to loan it to the museum for the exhibition, contact the AACA. The exhibit itself will run May 23-Oct. 12 at the AACA Museum in Hershey, PA.

Here are the station wagons that the AACA museum is looking for:

  • Volvo P1800ES/ PV544
  • Citroen DS/Ami
  • Chevrolet Vega
  • Ford Pinto
  • AMC Pacer/Hornet
  • Ford County Squire
  • Chrysler Town & Country
  • 1984 Dodge Caravan/Plymouth Voyager
  • Oldsmobile Vista Cruiser
  • Chevrolet Corvair
  • Mercedes 300TD
  • Rolls-Royce/Bentley/Aston Martin Shooting Break
  • Fiat 128/131
  • Edsel
  • National Lampoon Family Vacation’s “Family Truckster”
  • Checker
  • Variety of Woodies
  • Volkswagen Squareback
  • Dodge Aries/Plymouth Reliant
  • Custom Mustang/Corvette/Firebird
  • Nash Rambler
  • Studebaker Wagonaire
  • SAAB 95

Source: Jay Ramey – Associate Editor with Autoweek

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